Audre Lorde was a black lesbian writer who considers it necessary to think in depth about men and women’s roles in society. Although Lorde was a feminist as we can consider Gilman, she shares more characteristics with Du Bois’ ideas and academic writing style. For example, she justifies the connection with our emotions as a way to criticize current social gender agreements,"But as we come more in touch with our ancient, non-European consciousness of living as a situation to be experienced and interacted with, we learn more and more to cherish our feelings, and to respect those hidden sources of our power from where true knowledge and, therefore, lasting action comes" (Lorde 1984). Also, Lorde considers that the White academic style denies the use of artistic expressions in academic writing because white-men logic is not attuned enough with such language. Therefore women need to restore links with our inner emotional spaces to recover from and fight back men’s oppression over women. Du bois also prefers an academic style which lets him connect with his black folks emotions, “The style is tropical-African. This needs no apology. The blood of my fathers spoke through me and cast off the English restraint of my training and surroundings” (Du Bois 1904 as cited in Appelrouth & Edles, 2008, p. 276). Although emotions have been forbidden from the academic language, Lorde and Du Bois write their academic papers in that way because that helps them to express the oppression they were feeling and how they feel it. According to Du Bois and Lorde, “White” logic avoids people connection with their emotions because they can realize that the way things are told and explained in White society do not include dissident points of view.
Do you consider that to write from the standpoint of our emotions could it be a way to start breaking oppression?
Appelrouth Scott & Edles Laura. Clasical and Contemporary Sociological Theory. California: Pine Forge Press, 2008.
Lorde, Audre. Sister Outsider: Essays and Speeches. California: Crossing Press, 1984.